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The parody of adult songs with alternative verses, such as the rewriting of "While shepherds watched their flocks by night" to "While shepherds washed their socks at night" and numerous other versions, was a prominent activity in the British playgrounds investigated by the Opies in the twentieth century.With the growth of media and advertising in some countries, advertising jingles and parodies of those jingles have become a regular feature of children's songs, including the "Mc Donald's song" in the United States, which played against adult desire for ordered and healthy eating. (The nature of the English language, with its many double meanings for words, may mean that it possesses more punning songs than other cultures, although they are found in other cultures—for example, China).If a playground song does have a character, it is usually a child present at the time of the song's performance or the child singing the song.The extreme awkwardness of relations between young boys and young girls is a common motif such as in the American song "K-I-S-S-I-N-G".Where sources could be identified, they could often be traced to popular adult songs, including ballads and those in music hall and minstrel shows.Children also have a tendency to recycle nursery rhymes, children's commercial songs and adult music in satirical versions.The song is learned by oral tradition: Other songs have a variety of patterns and contexts.Many of the verses used by children have an element of transgression, and a number have satirical aims.

A further use of the term children's song is for songs written for the entertainment or education of children, usually in the modern era.A 'teapot' involves standing with one hand on your hip in disappointment, a 'double teapot' Many children's playground and street songs are connected to particular games.These include clapping games, like "Miss Susie', played in America; "A sailor went to sea" from Britain; and "Mpeewa", played in parts of Africa.By the time of Sabine Baring-Gould's A Book of Nursery Songs (1895), child folklore had become an academic study, full of comments and footnotes.The early years of the twentieth century are notable for the addition of sophisticated illustrations to books of children's songs, including Caldecott's Hey Diddle Diddle Picture Book (1909) and Arthur Rackham's Mother Goose (1913).

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